It's a mix of Canon 1DC, 5D, GoPro, and Sony FS700 footage. The 1DC gets some beautiful results so that was the witness camera all the others needed pushed to match. Sony S-log is crazy flat and the captured spectrum isn't as wide so getting them to match required injecting color back in where the 1DC showed more vibrant color.
In the stills below there's also a shot of a red rim that needed to be green to match the location one. It began with a rack focus too so it took some careful blurring and keyframed selections to make it work. Anyway, have a look.