Click through the before and after stills to see the results. I did a lot to soften the rolloff on the top and bottom end basically creating more dynamic range. It's simulated but I think it worked pretty well. There's a lot of luminance sculpting going on as well to see just how much I could get out of this footage.
Entries in color correction (36)
This was a series of projects for AtTask about their work with Trek bikes. The raw shots were really flat so as the saturation was lifted some colors needed dialed up and down depending on their sensitivity level to the sensor in the camera. To get skin tones right some of those have been individualy shifted with a subtle selection to keep them from noising up too badly. Take a look at the before and after stills to see what I did.
Here's a Passover medley I colored for the Maccabeats. This is a mix of C300 and 5D footage wich presented some problems because of the differences in color sensitivity between the two. To get the 5D shots matching the rest I had to pull some creative selections on certain colors that were'nt responding as well. Stage lighting also introduced some new problems with colored lights in the fleshtone spectrum. Normally in the real world you don't have magenta and red light sources. So balancing the whole thing inn a pleasingly natural yet filmicly stylized way was a bit of a challenge.
Here's some before and after stills.
I want to first thank all my clients for the great material they bring me. I love what I do, but its the caliber of photography that lets my work shine. Over the past year I've been developing some new techniques that really pull the audience in. There are several I've already been using but I wanted to push just a little further since I really believe layering subtle changes is key. So after long hours of considering and trimming and deleting, I finally got together my very favorite shots of the year in a watchable format. I still think I want to do a long version because so many things got cut.
I love color transformation. Please contact me if you think I might be able to help you with a project!
Movies are magic to me.
The way I think about grading comes from masking adjustment layers in photoshop for the last few years. I'm not very technical. I don't feel like I'm into the numbers enough. I've tried to field questions I get about equipment and "how fast" certain configurations might be. I read a lot and try to keep up on things, but that's not why I'm in this. There are a lot of people that understand data handling and the technology a lot better than me. I'm not sure why I've been so fortunate to get to do this for a living or work on the things I've worked on. But I love that I get to because there's something to it that always excites me when I nail a shot. Theres a trillion different ways you could nudge the color and light around, but for whatever reason its that particular combination that just hits right and you know its finished! There's nothing else to do to it accept capture that look through the rest of the scene.
And then there's all the work that's gone into it beforehand to make it so that one particular moment in time is there in front of me! I guess I'm inadequate at putting it in the right words so it'll make sense. Here are a few before and after stills that detail the transformation I'm referring to.
I love this one from the Fruit Ninja video.
This is still one of my favorites!
This is an old project from winter 2011. I ran across the stills and remembered how excited I was with some of the things that were now possible with Davinci Resolve. All my work prior to this was in FCP7, color, and Photoshop. Its not perfect but I thought it worth sharing and ended up putting this post together. There were mountains in the far background behind the trees in full sun that needed balancing. I evened things out and brought back a lot of the detail from the shadows in the foreground.
The shade keeps colors less vibrant than they ought to be for this look.