Entries in resolve (7)
Scott Winn and Derek Pueblo put this one together. On first seeing the material I asked Scott if I could give it a more vintage 70's feel almost like the 2015 Ford Mustang is a time machine bringing travelers from the 80's to the decade before. He liked the idea and so I set to work building some quick rough passes to give him an idea how it would turn out.
The technique I used to build this look involves some stuff I adapted from photohsop for Resolve. There's a lot going on in the node tree. It's pretty complicated lifting and clamping along with replacing the sky in every shot where it shows. As I worked I realized that besides the Super8 film I've played with, inspiration for this also comes from old Norman Rockwell paintings I grew up looking at like these:
There's just a certain feel you get from the lighting and color in these peices that I kept feeling echoed in the grade I was building. I've broken up the stills into just the cool car shots and then all the dancer shots.
One of the things I really love about this peice is the characters they've created. It's so rewarding to have successfully added to the feel of a project like this using some methods that when I first started developing, didn't seem to have hope of ever working on a real project. Looks like practice finally paid off.
Here's the finished video!
This was for Property Solutions
I've had a few projects like this now. A white background can create some lighting issues that resolve is really good at eliminating. With only global tools I'm not sure you'd ever get things this clean. There are several selections eliminating the yellow darker areas in the background. There are also selections on their hair and clothes to pull out some yellow bounce. The really difficult part was keeping their skin tones while eliminating the yellow everywhere else. The sensor was squashing the whole spectrum into one. As a final touch I applied some lift and blur to her face to brighten up some dark shadows under her eyes. If you click back and forth through these you'll get a better idea what I'm talking about.
The intro to this video was shot in a vintage style and needed a look to compliment that. I did some research. Watched some Magnum PI and A Team and came up with what you see here. There were a few super ultra slowmo shots from the phantom which seems to have a different look on every shot. Getting it to match everything else is sometimes a challenge and every shot needs its own individual attention but with the stellar sound design, the slow motion really adds to it! Starring Olympic Gold Medalist Kerri Walsh Jennings, Christian Busath, and Terry Tate. Created by Scott Winn. Great little project!
Here are some before and after stills to show my work.